In 1986, the Carrolup Project Committee was set up by a Noongar community meeting held at Marribank. Its purpose was to oversee the Carrolup Project, which was to be funded by the Australian Bicentennial Authority, and comprised four key elements: To employ two trainees (1986-87), featured in a previous […]
A reunion of former Marribank residents was held over the weekend of 14 – 15th November 1992, to officially open a further gallery of the Marribank Cultural Centre, which focused on the Marribank Baptist Mission years 1952 – 1980. This exhibition had been mounted by myself at the […]
When I commenced the Carrolup Project back in 1985, one of its purposes was to flush out surviving drawings and paintings by the child artists of Carrolup. Media coverage in the Great Southern Herald, the Katanning newspaper, assisted in this task. When the Noongar trainees Tina Hansen and […]
A previous blog highlighted the child artists’ fascination with the liminality of dusk, the period between day and night. The night was also a time for ceremony. This is depicted most evocatively in, for example, Reynold Hart’s ‘Dancing Figures’, or his deceptively titled ‘Imagined Corroboree’—deceptive, in that this was […]
The Official Opening at Katanning of the exhibition ‘Koorah Coolingah: Children Long Ago’ on 24th February, 2006, was the culmination of more than a year of careful planning. It was the third component of a four year showcase of Aboriginal arts of the Kimberley, Western Desert, South-West and Perth. […]
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