Herbert Mayer

06/03/2019
Pre-decimal Australian bank notes, Melbourne Mint, 1949.

Were the Children Paid for their Art?

I’m afraid the answer to this question is ‘No’! The child artists were minors at the time, as well as Wards of the State, so they couldn’t receive any money until they turned 21, the age of majority at that time. The funds earned from sales of their […]
27/02/2019
'Katanning celebrates children's art return' article in the Great Southern Herald, March 1st, 2006. [Please click to see the full image]

Katanning Celebrates Children’s Art Return

One of the main reasons we have developed this website and are working on a book about the Aboriginal child artists of Carrolup is that it is essential that this story does not wither away or become distorted. You might think that this is unlikely, but many important […]
16/01/2019
Blackboys by Revel Cooper, watercolour on paper, 38 x 57cm, 1964. Purchased from George Abdullah, Perth, 1965. Berndt Museum of Anthropology. [WU3269]

Carrolup: John Stanton’s 40-Year Journey

As my colleague John Stanton is away on holiday in New Zealand, I thought I’d take this opportunity to blog about John’s association with Carrolup for a period of over 40 years. That’s a serious, long-standing interest and commitment! The initial large section of this blog come from […]
09/11/2018
Untitled [Landscape with Fallen Tree] by Parnell Dempster, pastel and graphite on paper, 23 x 29.1cm, 1953. The Herbert Mayer Collection of Carrolup Artwork, John Curtin Gallery, Curtin University.

Shattered

The boys’ dreams of a better future are shattered by the school closure and their later experiences in a white dominated society which considers them ‘inferior’. Revel Cooper says the decision to close the school: ‘… closed the pathway to a better way of life for coloured people.’ […]
09/11/2018

Search

Anthropologist John Stanton first learns about the Carrolup children’s art in 1976 when he sees two Revel Cooper landscapes framing Ronald and Catherine Berndt’s study door at the University of Western Australia. He reads Child Artists of the Australian Bush by Mary Durack Miller and Florence Rutter, and […]
09/11/2018
Ezzard Flowers, John Stanton and Athol Farmer inspecting the ‘lost’ Carrolup Collection at the Picker Art Gallery at Colgate University, 12th April 2005. Berndt Museum of Anthropology. [WU/P32228]

Discovery

In 2004, John Stanton’s close Australian friend Professor Howard Morphy is invited to visit Colgate University in Upper New York State by the Director of Colgate’s Picker Gallery. The Gallery set aside some Aboriginal artefacts for him to look at. When Howard arrives, the Gallery Curator, Diane Butler, mentions that […]
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