Back at the beginning of 2019, I wrote a blog about my colleague John Stanton and his involvement in the Carrolup story. Given the approaching publication of our book Connection: Aboriginal Child Artists Captivate Europe, I thought it was time to describe John’s involvement again. He has played a […]
Pat Nunn, who originally came to live in Western Australia from Lesotho, Southern Africa with her husband Courtney, played a crucial role in the re-emergence of the Carrolup Story. She was working as the Social Worker at Marribank Baptist Mission, formerly Carrolup Native Settlement. In fact, she was […]
In 1986, the Carrolup Project Committee was set up by a Noongar community meeting held at Marribank. Its purpose was to oversee the Carrolup Project, which was to be funded by the Australian Bicentennial Authority, and comprised four key elements: To employ two trainees (1986-87), featured in a previous […]
As my colleague John Stanton is away on holiday in New Zealand, I thought I’d take this opportunity to blog about John’s association with Carrolup for a period of over 40 years. That’s a serious, long-standing interest and commitment! The initial large section of this blog come from […]
The Official Opening at Katanning of the exhibition ‘Koorah Coolingah: Children Long Ago’ on 24th February, 2006, was the culmination of more than a year of careful planning. It was the third component of a four year showcase of Aboriginal arts of the Kimberley, Western Desert, South-West and Perth. […]
Social Anthropologist John Stanton first learns about the Carrolup children’s art in 1976 when he sees two Revel Cooper landscapes framing Ronald and Catherine Berndt’s study door at the University of Western Australia. He reads Child Artists of the Australian Bush by Mary Durack Miller and Florence Rutter, […]
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