11/01/2019
A previous blog highlighted the child artists’ fascination with the liminality of dusk, the period between day and night. The night was also a time for ceremony. This is depicted most evocatively in, for example, Reynold Hart’s ‘Dancing Figures’, or his deceptively titled ‘Imagined Corroboree’—deceptive, in that this was […]


![Imagined corroboree by Reynold Hart, watercolour and ink on paper, 25 x 30cm, c.1948. Stan, Melvie and Gael Phillips Collection, 1947 - 65, Berndt Museum of Anthropology. [WU7255]](https://www.carrolup.info/wp-content/uploads/2018/10/WU2775-960x720.jpg)
![Hunters by Revel Cooper, pastel on paper, 29 x 38cm, c.1948. Stan, Melvie and Gael Phillips Collection, 1947 – 65, Berndt Museum of Anthropology. [WU7304]](https://www.carrolup.info/wp-content/uploads/2018/10/WU3NL-960x720.jpg)






![Untitled [Landscape with Fallen Tree] by Parnell Dempster, pastel and graphite on paper, 23 x 29.1cm, 1953. The Herbert Mayer Collection of Carrolup Artwork, John Curtin Gallery, Curtin University.](https://www.carrolup.info/wp-content/uploads/2018/10/8714810382_3ff6fde4de_o-960x720.jpg)