Warning: Aboriginal and Torres Strait Islander viewers are advised that this website, and its links, contain images and voices of people who have passed away.

A Native Corroboree by Reynold Hart, pastel on paper, 75 x 112cm, 1949. The Herbert Mayer Collection of Carrolup Artwork, John Curtin Gallery, Curtin University.

Traumatised Aboriginal children living in the squalor of a 1940s government native settlement in Western Australia create beautiful landscape drawings that gain international acclaim and challenge a government’s racist policies.

About the Project

'Welcome to The Carrolup Story. In developing this unique resource, we aim that many more Aboriginal and non-Aboriginal people will walk alongside each other on equal terms to help create a society where people have an improved wellness, are more respectful, caring and empathic towards their fellows, and more protective of our planet.' David Clark, Emeritus Professor of Psychology, and John Stanton, Adjunct Professor and former Director of the Berndt Museum of Anthropology.

‘There can be no keener revelation of a society’s soul than the way it treats its children.’

Nelson Mandela

Children at Carrolup, early 1940s

Latest Blogs

18/09/2019

A Day Out With the Ryder Family

Last month, I wrote about receiving communications from Charon and Judy Ryder, daughters of the Carrolup child artist Cliff Ryder. I then described the meeting that John and I had with Charon and her husband John Kalin, along with their four-year old grandson Treyje. Last Saturday, John and I spent a […]
17/09/2019
Some of the Carrolup young artists. Front row: Reynold Hart (Far Left), Parnell Dempster (Middle) and Revel Cooper (Far Right). Back row, 2nd Left: Barry Loo. Do you know who the other boys are?

The Child Artists Assert Themselves Through Their Art

Too often, adults in many societies tend to view ‘children’ as ‘immature’, naïve’ or ‘child-like’. The Carrolup children’s drawings demonstrate an entirely different side to what it is to be a ‘child’. For not only were they part of the Stolen Generation, taken away from their parents, and […]
10/09/2019

Little Black Fingers

Mrs Florence Rutter, a 71-year old Englishwoman, visited Carrolup twice—in July 1949 and January/February 1950. She returned to England soon after her second visit, having received permission from the West Australian government to exhibit and sell the Carrolup children’s artworks (mainly the boys’ drawings). A Trust Fund had […]
Parnell Dempster with his pastel drawing book. Photographer: Vera Hack, January 1950. Noel & Lily White Collection.

‘Stories help us develop empathy. They allow us to understand another person’s world from their perspective.’

Lewis Mehl-Madrona

Story

09/11/2018
Aboriginal prisoners in neck chains at Wyndham, Northern Western Australia. State Library of Victoria.

Colonisation

The colonisation of Australia by Europeans had a massive negative impact on a peoples and culture that has existed for over 50,000 years. The first settlers brought diseases that wiped out large numbers of Aboriginal people, as they had no immunity to European diseases. Many of the survivors existed […]
09/11/2018
Aboriginal children of Carrolup in the early 1940s. J. S. Battye Library of West Australian History.

Trauma

Revel Cooper, a Noongar boy, is made a Ward of the State by the Department of Native Affairs and sent to Carrolup at the age of six in 1940. In a letter written in 1960 about life on Carrolup Native Settlement, Revel presents a vivid picture of Aboriginal […]
09/11/2018
The creek by Simpson Kelly, pastel on paper, 18.5 x 24 cm, c.1948. Noel & Lily White Collection, Berndt Museum of Anthropology. [WU7563]

Connection

When teacher Noel White arrives at Carrolup in May 1946, he is unable to communicate with the Aboriginal children. They sit sullenly and silently at their schoolroom desks. ‘The first week at school with our new teacher we were all scared stiff. I think if it wasn’t for […]
09/11/2018
Exhibition of Carrolup art at Boans department store, The West Australian , 23rd October 1947. The boys from left to right are Claude Kelly, Barry Loo, Reynold Hart and Parnell Dempster. Noel & Lily White Collection.

Acclaim

In 1947, the children’s drawings attract public attention locally at the Katanning Show, and further afield in Perth. ​Three children (Reynold Hart, Dulcie Penny and Vera Wallam) have their articles accepted in the Lord Forrest Centenary Booklet – in competition with other children from all over the state – whilst Parnell Dempster […]
09/11/2018
The 1948 Carrolup School football team with their teacher, Noel White.

Football

The success of the children, along with the trusting and loving relationship that has developed between the children and their teachers, lead to increased jealousy and conflicts amongst Settlement staff, as well as to violence and government inquiries. Staff turnover at Carrolup is high, and several superintendents are […]
09/11/2018
Mrs Rutter with Prince Rudy Dinah and a group of Carrolup girls. The girl second from the left is Mildred Jones. Photographer: Noel White, 31st July 1949. Noel & Lily White Collection.

Florence

In July 1949, a 71-year old Englishwoman Mrs Florence Rutter briefly visits Carrolup and purchases five pounds worth of drawings and designs. She exhibits the drawings and designs in eight cities around Australia and New Zealand, and receives many orders for the children’s artworks. The Department of Native Affairs agrees […]
09/11/2018
Part of a letter from Reynold Hart to Mrs Rutter which appeared in the Daily Graphic article ‘Can Your Child Draw Like This?’ in the UK on the 29th July 1950. Noel & Lily White Collection.

Letters

Once Mrs. Rutter returns to the U.K., she continues to update the School on her progress. She receives many welcome letters from the Carrolup boys during 1950. ‘Every letters [sic] you write Mr White reads it out to the school children. We are very proud of you and […]
09/11/2018
Parnell Dempster's Down to Drink adorns a wall at the 45th Annual Exhibition of the Pastel Society in London, 1951. Mrs Rutter proudly discusses the drawing with Mr and Mrs Richter. Mary Durack Miller Collection, J. S. Battye Library of West Australian History, 1951.

Europe

Initially, Native Affairs Commissioner Mr S G Middleton writes enthusiastic letters to Mrs Rutter. She organises an exhibition in Appeldoorn, the Netherlands, where the art is acclaimed. People’s perceptions of ‘Stone-Age’ Aboriginal people are changed. However, an open conflict breaks out between the new supervisor at Carrolup, Mr […]
09/11/2018
Article by school headmaster John Stokes, The West Australian , 24th February 1951. Noel & Lily White Collection.

Outcry

Mr Middleton tries to justify the school’s closure in a letter to The West Australian newspaper. He talks about sending the boys to missions and says: ‘… they will at last begin to receive some spiritual education and training which may not yet be too late to stabilise sufficiently their characters to a point where they may […]
09/11/2018
Untitled [Landscape with Fallen Tree] by Parnell Dempster, pastel and graphite on paper, 23 x 29.1cm, 1953. The Herbert Mayer Collection of Carrolup Artwork, John Curtin Gallery, Curtin University.

Shattered

The boys’ dreams of a better future are shattered by the school closure and their later experiences in a white dominated society which considers them ‘inferior’. Revel Cooper says the decision to close the school: ‘… closed the pathway to a better way of life for coloured people.’ […]
09/11/2018

Search

Anthropologist John Stanton first learns about the Carrolup children’s art in 1976 when he sees two Revel Cooper landscapes framing Ronald and Catherine Berndt’s study door at the University of Western Australia. He reads Child Artists of the Australian Bush by Mary Durack Miller and Florence Rutter, and […]
09/11/2018
Ezzard Flowers, John Stanton and Athol Farmer inspecting the ‘lost’ Carrolup Collection at the Picker Art Gallery at Colgate University, 12th April 2005. Berndt Museum of Anthropology. [WU/P32228]

Discovery

In 2004, John Stanton’s close Australian friend Professor Howard Morphy is invited to visit Colgate University in Upper New York State by the Director of Colgate’s Picker Gallery. The Gallery set aside some Aboriginal artefacts for him to look at. When Howard arrives, the Gallery Curator, Diane Butler, mentions that […]

‘Land is a story place. Land holds the stories of human survival across the generations. Land shapes people, just as people shape their countries.’

Judy Atkinson

Leaning tree by Milton Jackson, pastel on paper, 41 x 33cm, c.1949. Noel & Lily White Collection, Berndt Museum of Anthropology. [WU7568]
Hunters by Revel Cooper, pastel on paper, 29 x 38cm, c.1948. Stan, Melvie and Gael Phillips Collection, 1947 – 65, Berndt Museum of Anthropology. [WU7304]

‘Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.’

Margaret Mead

‘Healing is not just about recovering what we have lost or repairing what has been broken. It is about embracing our life force to create a new and vibrant fabric that keeps us grounded and connected, wraps us in warmth and love and gives us the joy of seeing what we have created.’

Helen Milroy

The children of Carrolup in their schoolroom with the White family and visitors from Katanning. Photographer: Noelene White, late 1948 or early 1949. Noel & Lily White Collection.

Healing

13/09/2019

The Four Stages of Recovery

I was looking through one of my other websites, Recovery Stories, yesterday. I came across a blog I posted in 2014 about an article on recovery from mental health problems by Mark Ragins. That blog is as pertinent today, so here it is: Mark is a leading recovery figure […]
05/09/2019

The Healing Power of Stories: Native Hope

Last month, I blogged about the exciting Native American storytelling project by Native Hope: We believe in the power of storytelling to dismantle barriers, bring healing, and inspire hope for Native people. Here is a section from one of their articles, The Science Behind the Healing Power of […]
03/09/2019

Without A Life Story: Bruce Perry

I often wonder about the consequences of the government policy of taking Aboriginal children away from their families, the impact on the children and the parents. Children taken away in this way were not only losing the essential care of their parents, but also disconnecting the child from […]

About us

The Carrolup Story project brings together four kindred spirits who believe strongly in the healing power of Story. The project is based on the core values of authenticity, belonging, connection, courage, creativity, empathy, empowerment, safety and trust.

More about us


John Stanton
David Clark
Simon Akkerman
Ash Whitney

Please do not hesitate to contact us with any enquiries

Translate »

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close