Back at the beginning of 2019, I wrote a blog about my colleague John Stanton and his involvement in the Carrolup story. Given the approaching publication of our book Connection: Aboriginal Child Artists Captivate Europe, I thought it was time to describe John’s involvement again. He has played a […]
I’m afraid the answer to this question is ‘No’! The child artists were minors at the time, as well as Wards of the State, so they couldn’t receive any money until they turned 21, the age of majority at that time. The funds earned from sales of their […]
One of the main reasons we have developed this website and are working on a book about the Aboriginal child artists of Carrolup is that it is essential that this story does not wither away or become distorted. You might think that this is unlikely, but many important […]
As my colleague John Stanton is away on holiday in New Zealand, I thought I’d take this opportunity to blog about John’s association with Carrolup for a period of over 40 years. That’s a serious, long-standing interest and commitment! The initial large section of this blog come from […]
The boys’ dreams of a better future are shattered by the school closure and their later experiences in a white dominated society which considers them ‘inferior’. Revel Cooper says the decision to close the school: ‘… closed the pathway to a better way of life for coloured people.’ […]
Social Anthropologist John Stanton first learns about the Carrolup children’s art in 1976 when he sees two Revel Cooper landscapes framing Ronald and Catherine Berndt’s study door at the University of Western Australia. He reads Child Artists of the Australian Bush by Mary Durack Miller and Florence Rutter, […]
In 2004, John Stanton’s close Australian friend Professor Howard Morphy is invited to visit Colgate University in Upper New York State by the Director of Colgate’s Picker Gallery. The Gallery set aside some Aboriginal artefacts for him to look at. When Howard arrives, the Gallery Curator, Diane Butler, mentions that […]
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