Blog

27/02/2019

Katanning Celebrates Children’s Art Return

One of the main reasons we have developed this website and are working on a book about the Aboriginal child artists of Carrolup is that it is essential that this story does not wither away or become distorted. You might think that this is unlikely, but many important […]
26/02/2019

Mrs Florence Rutter Visits Carrolup

One of the fascinating elements of the Carrolup Story is that the Aboriginal child artists had an ‘ambassador’ for their work, a 71-year old Englishwoman, Mrs Florence Rutter. Mrs Rutter was given permission by the Western Australian government to exhibit and sell the children’s art, first around Australia […]
20/02/2019

Importance of the Carrolup Story

“The first step in re-establishing healthy communities is to acknowledge and understand the impact of the colonial legacy on the lives of Aboriginal people today and the various pathways necessary for healing from historical trauma, using both cultural and contemporary understandings and processes.” Pat Dudgeon, Helen Milroy and […]
13/02/2019

Berndt Museum Exhibition ‘Carrolup Revisited’ Opens

The 8th of February saw the formal opening of the Berndt Museum’s new exhibition, Carrolup Revisited, at the Lawrence Wilson Art Gallery, The University of Western Australia, which will last until the 29th of June. It was an emotional occasion for families of the child artists present, and […]
12/02/2019

Early Public Acclaim

How did the drawings of the Aboriginal children of Carrolup first become known to the general public? Here is a summary of some of the initial ‘successes’ of the children, which you can follow in more detail by reading the newspaper article to which we have linked. You […]
06/02/2019

Carrolup Children at Katanning Show, 1946

Yesterday, I had a very moving and stimulating phone discussion with Dale Jones, whose father Warrick Jones was at Carrolup during the time that Noel White was teacher at the school. I was also communicating on Facebook with Cheryle Jones, whose mother Mildred Jones was there during that […]
01/02/2019

Interview With Doris Flatt: Part 2

Doris Flatt was one of daughters of Florence Rutter, the self-appointed ‘ambassador’ to the Carrolup child artists. Over 100 years old at the time of the interview, Doris had strong memories of her mother’s great enthusiasm for their art, as she was determined to bring it to the […]
29/01/2019

Racism and Social Darwinism

This is the third of a series of articles focused on the social, political and cultural context in which the story about the Aboriginal child artists of Carrolup took place. [Please note, some people may find the ideas described in this article to be upsetting and offensive]. A […]
26/01/2019

Our Carrolup Project

I thought it particularly appropriate today, so-called ‘Australia Day’, that I re-iterate what John and I are doing and what we are hoping to achieve with our Carrolup Project. Seventy years ago, Aboriginal children of Carrolup ‘reached out’ to white society with their beautiful landscape drawings. Their efforts, […]
23/01/2019

Interview With Doris Flatt: Part 1

Doris Flatt was one of the daughters of the 71-year old Englishwoman Florence Rutter, the self-appointed ‘ambassador’ to the Carrolup child artists. Over 100 years old at the time of this interview (May 2006), Doris had strong memories of her mother discussing the Carrolup artworks with great and […]
22/01/2019

Mr Neville: Removing Aboriginal Children From Their Family

This is the third of a series of blogs that considers the social, political and cultural context existing prior to our story of the Aboriginal child artists of Carrolup. I focus on the policy of removing Aboriginal people from their families, which resulted in what we now know […]
17/01/2019

Noongar Trainees: Marribank Cultural Centre Project

Yesterday, David wrote a blog about my 40 year involvement with Carrolup. He described the collaboration between the Marribank Family Centre and the Berndt Museum of Anthropology (of which I was Director), The Carrolup Project, that received generous funding from the Australian Bicentennial Authority. Today, I focus on another […]
16/01/2019

Carrolup: John Stanton’s 40-Year Journey

As my colleague John Stanton is away on holiday in New Zealand, I thought I’d take this opportunity to blog about John’s association with Carrolup for a period of over 40 years. That’s a serious, long-standing interest and commitment! The initial large section of this blog come from […]
14/01/2019

The Control of Aboriginal People: 1905 Aborigines Act

It is essential to consider the social, political and cultural context in Western Australia to fully appreciate the Carrolup Story and the achievements of the Aboriginal child artists of Carrolup. We have devoted early chapters of our forthcoming book – Aboriginal Child Artists of Carrolup – to this […]
11/01/2019

The Corroboree Artworks

A previous blog highlighted the child artists’ fascination with the liminality of dusk, the period between day and night. The night was also a time for ceremony. This is depicted most evocatively in, for example, Reynold Hart’s ‘Dancing Figures’, or his deceptively titled ‘Imagined Corroboree’—deceptive, in that this was […]
10/01/2019

The Impact of Colonisation on Aboriginal People

The Story of the Aboriginal child artists of Carrolup must be told within the social, political and cultural context of what was occurring in Western Australia during the 1940s and 1950s, as well as at earlier times. The first chapters of our forthcoming book – due out later […]
08/01/2019

The Liminality of Dusk

The Carrolup child artists appear to have been particularly fascinated with the liminality of dusk. That is, the period between day and night when the light gradually fades to become night; when the breeze settles and becomes stillness personified, and when colours become simply black and white. When […]
07/01/2019

Happy New Year… And Some Reflections

It’s good to be back after a long break for the Christmas and New Year holidays. I would first like to wish you all the very best for 2019. I know that John would say the same if he was here. At present, he’s in New Zealand spending […]
Translate »

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close